Afinaciones en el teatro de la palabra. Notas sobre la poesía de Víctor M. Díez e Ildefonso Rodríguez

  1. José Manuel Trabado Cabado 1
  1. 1 Universidad de León
    info

    Universidad de León

    León, España

    ROR https://ror.org/02tzt0b78

Journal:
Tropelias: Revista de teoría de la literatura y literatura comparada

ISSN: 1132-2373

Year of publication: 2020

Issue Title: La escritura como estuario de la crítica. Textos in honorem Túa Blesa

Issue: 7

Pages: 302-318

Type: Article

More publications in: Tropelias: Revista de teoría de la literatura y literatura comparada

Abstract

This paper aims to study the Ildefonso Rodríguez ́s and Víctor M. Díez poetics. Both are stemmed in the strong influence of jazz on poetry. They share a way of facing the moment of creation as a sort of improvisation. Each of them uses his own formal devices as fragmented texts, broken syntax and a wide range of references to other languages such as theater, cinema in order to deconstruct everyday speech. Both of them deals with the problem of identity: Ildefonso builds up a kind of ex-centered self while Victor ́s poetry is based on we can call defacement of self.