La ciudad compartidael patrimonio cultural como herramienta para la re-creación del relato urbano

  1. Rivero-Moreno, Luis D. 1
  1. 1 Profesor Ayudante Doctor. Universidad de León
Aldizkaria:
Ciudad y territorio: Estudios territoriales

ISSN: 1133-4762 2659-3254

Argitalpen urtea: 2022

Zenbakien izenburua: CyTET otoño 2022

Zenbakia: 213

Orrialdeak: 579-592

Mota: Artikulua

DOI: 10.37230/CYTET.2022.213.4 DIALNET GOOGLE SCHOLAR lock_openSarbide irekia editor

Beste argitalpen batzuk: Ciudad y territorio: Estudios territoriales

Laburpena

In today's digital and technological world, urban regeneration may no longer be a physical and architectural process, but simply a superficial staging of new and more attractive images of the city that make it a desired destination. However, representation requires a narrative that contextualizes it and gives it meaning. The cultural heritage sphere offers its spaces for this purpose as platforms for exchange and communication. This article addresses the chances of the city's inhabitants as responsible for its narration and representation. This multiplies the possibilities for democratic, open and participatory urban planning. Only in this way will urban planning be more creative and sustainable, and its narrative more suitable with the complex reality of the city.

Erreferentzia bibliografikoak

  • Citas Atkinson, R. & Bridge, G. (Eds.) (2004): Gentrification in a global context, Londres, Gran Bretaña, Routledge.
  • Aurigi, A. (2016): Making the digital city: the early shaping of urban internet space, Londres, Gran Bretaña, Routledge.
  • Avraham, E. (2004): Media strategies for improving an unfavorable city image. Cities, 21(6), 471-479. https://doi.org/10.1016/j.cities.2004.08.005
  • Bach, M. & Colclough, A. & Garzillo, C. & Houpert, C. (2018): Temporary Permanence: the Intermittent City. European Journal of Creative Practices in Cities and Landscapes, 1(1).
  • Benjamin, W. (1969): The storyteller, New York, Schocken Books.
  • Brandão, P. (2011): La imagen de la ciudad: estrategias de identidad y comunicación, Barcelona, España, Edicions Universitat Barcelona.
  • Brea, J. L. (2007): Cultura RAM: mutaciones de la cultura en la era de su distribución electrónica, Barcelona, España, Gedisa.
  • Brea, J. L. (2008): El tercer umbral. Estatuto de las prácticas artísticas en la era del capitalismo cultural, Murcia, España, Cendeac.
  • Bullen, P. A. & Love, P. E. (2011): Adaptive reuse of heritage buildings. Structural Survey, 29(5), 411-421. https://doi.org/10.1108/02630801111182439
  • Casagrande, M. (2016): Heritage, tourism, and demography in the island city of Venice: depopulation and heritagization. Urban Island Studies, 2(1), 121-141. https://doi.org/10.20958/uis.2016.6
  • Comeron, O. (2007): Arte y postfordismo: notas desde la fábrica transparente, Madrid, España, Trama.
  • Debord, G. (1957): Report on the Construction of Situations and on the International Situationist Tendency’s Conditions of Organization and Action, Berkeley CA, Bureau of Public Secrets. http://www.bopsecrets.org/SI/report.htm
  • Echeverría, J. (1999): Los señores del aire: Telépolis y el tercer entorno, Barcelona, España, Destino.
  • Florida, R. (2002): The rise of the creative class, New York, EE.UU., Basic books
  • Foth, M. & Klaebe, H. & Hearn, G. (2008): The role of new media and digital narratives in urban planning and community development. Body, Space and Technology, 7(2), 1-18. https://doi.org/10.16995/bst.135
  • Frisch, M. (1990): A shared authority: Essays on the craft and meaning of oral and public history. Amsterdam, Holanda, Suny Press.
  • Giaccardi, E. & Palen, L. (2008): The social production of heritage through cross‐media interaction: making place for place‐making. International Journal of Heritage Studies, 14(3), 281-297. https://doi.org/10.1080/13527250801953827
  • Giaccardi, E. & Palen, L. (Ed.) (2012): Heritage and social media: Understanding heritage in a participatory culture, Londres, Gran Bretaña, Routledge.
  • Glover, N. (2008): Co-produced Histories: Mapping the Uses and Narratives of History in the Tourist Age. The Public Historian, 30(1), 105-124. https://doi.org/10.1525/tph.2008.30.1.105
  • Graham, M. (2013): The virtual dimension. En Global City Challenges (pp. 117-139), Londres, Gran Bretaña, Palgrave Macmillan.
  • Hillier, B. (2009): Spatial sustainability in cities: organic patterns and sustainable forms, Royal Institute of Technology (KTH).
  • Huyssen, A. (2003): Present pasts: Urban palimpsests and the politics of memory, Palo Alto, California, EE.UU., Stanford University Press.
  • Jiménez-Peralta, M., Jiménez-Alvarado, G., Bravo-Álvarez, G., & Reveco-Gautier, J. (2021): Emoción, geografía y patrimonio: experiencia para resignificar el espacio urbano en Valparaíso (Chile). Ciudad Y Territorio Estudios Territoriales, 53(209). https://doi.org/10.37230/CyTET.2021.209.14
  • Kaufmann, K. & Straganz, C. & Bork-Hüffer, T. (2020): City-life no more? Young adults’ disrupted urban experiences and their digital mediation under Covid-19. Urban Planning, 5(4), 324-334. https://doi.org/10.17645/up.v5i4.3479
  • Kitchin, R. (2014): The real-time city? Big data and smart urbanism. GeoJournal, 79(1), 1-14. https://doi.org/10.1007/s10708-013-9516-8
  • Klauser, F. & Paasche, T. & Söderström, O. (2014): Michel Foucault and the smart city: power dynamics inherent in contemporary governing through code. Environment and Planning D: Society and Space, 32(5), 869-885. https://doi.org/10.1068/d13041p
  • Lamprakos, M. (2014): The idea of the historic city. Change over time, 4(1), 8-38. https://doi.org/10.1353/cot.2014.0004
  • Lévy, P. (1997): Collective intelligence: Mankind's emerging world in cyberspace, Cambridge, MA, EE.UU., Perseus books.
  • Licciardi, G. & Amirtahmasebi, R. [eds.] (2012): The economics of uniqueness: investing in historic city cores and cultural heritage assets for sustainable development, Washington, EE.UU., World Bank Publications.
  • Liew, C. L. & Goulding, A. & Nichol, M. (2020): From shoeboxes to shared spaces: participatory cultural heritage via digital platforms. Information, Communication & Society, 1-18. https://doi.org/10.1080/1369118X.2020.1851391
  • Lipovetsky, G. (2014): La estetización del mundo, Barcelona, España, Anagrama.
  • Mager, C. & Matthey, L. (2015): Tales of the City. Storytelling as a contemporary tool of urban planning and design. Articulo-Journal of Urban Research, (Special issue 7). https://doi.org/10.4000/articulo.2779
  • Nas, P. J. (2016): Cities full of symbols: a theory of urban space and culture, Leiden, Holanda, University Press.
  • ONU (2015): Habitat III issue papers. New York: UN Habitat [Online]. http://unhabitat.org
  • Pratt, A. C. (2008): Creative cities: the cultural industries and the creative class. Geografiska annaler: series B, human geography, 90(2), 107-117. https://doi.org/10.1111/j.1468-0467.2008.00281.x
  • Ritvala, T., Granqvist, N. & Piekkari, R. (2021). A processual view of organizational stigmatization in foreign market entry: The failure of Guggenheim Helsinki. J Int Bus Stud 52, 282–305. https://doi.org/10.1057/s41267-020-00329-7
  • Rivero Moreno, L. D. (2020): Sustainable city storytelling: cultural heritage as a resource for a greener and fairer urban development. Journal of Cultural Heritage Management and Sustainable Development, 10 (4), 399-412. https://doi.org/10.1108/JCHMSD-05-2019-0043
  • Sandercock, L. (2003): Out of the closet: The importance of stories and storytelling in planning practice. Planning theory & practice, 4(1), 11-28. https://doi.org/10.1080/1464935032000057209
  • Sartori, G. (2003): Homo videns: la sociedad teledirigida, Madrid, España, Taurus.
  • Sassen, S. (2016): Global networks, linked cities, Londres, Gran Bretaña, Routledge.
  • Settis, S. (2020): Si Venecia muere, Madrid, España, Turner.
  • Sunesson, K. & al. (2008): Virtual reality as a new tool in the city planning process. Tsinghua Science & Technology, 13(S1), 255-260. https://doi.org/10.1016/S1007-0214(08)70158-5
  • Tifentale, A. & Manovich, L. (2015): Selfiecity: Exploring photography and self-fashioning in social media. En Postdigital Aesthetics (pp. 109-122), Londres, Gran Bretaña, Palgrave Macmillan.
  • Throgmorton, J. A. (2003): Planning as persuasive storytelling in a global-scale web of relationships. Planning Theory, 2(2), 125-151. https://doi.org/10.1177/14730952030022003
  • Urban, F. (2002): Small town, big website?: Cities and their representation on the Internet. Cities, 19(1), 49-59. https://doi.org/10.1016/S0264-2751(01)00045-2
  • Ureña, J. M. de, & Coronado, J. M. (2018): El patrimonio urbano como oportunidad para recualificar las periferias metropolitanas: especial referencia a Madrid. Ciudad Y Territorio Estudios Territoriales, 50(195), 85-100. https://recyt.fecyt.es/index.php/CyTET/article/view/76611
  • Van Hulst, M. (2012): Storytelling, a model of and a model for planning. Planning Theory, 11(3), 299-318. https://doi.org/10.1177/1473095212440425
  • Vanolo, A. (2008): The image of the creative city: Some reflections on urban branding in Turin. Cities, 25(6), 370-382. https://doi.org/10.1016/j.cities.2008.08.001
  • Virilio, P. (1991): La ciudad sobreexpuesta. En P. Virilio, The lost Dimensión. New York, USA, Semiotexte.
  • Virilio, P. (1998): La máquina de visión, Madrid, España, Cátedra.
  • Waitt, G. (2000): Consuming heritage: Perceived historical authenticity. Annals of tourism research, 27(4), 835-862. https://doi.org/10.1016/S0160-7383(99)00115-2
  • Walford, A. (2020): Data aesthetics. En Lineages and Advancements in Material Culture Studies (pp. 205-217), Londres, Reino Unido, Routledge.
  • Yúdice, G. (2002): El recurso de la cultura, Barcelona, España, Gedisa.
  • Zaera polo, A. (1994): Conversaciones con Rafael Moneo. El croquis, 64: 6-25.
  • Zanini, S. (2017): Tourism pressures and depopulation in Cannaregio: Effects of mass tourism on Venetian cultural heritage. Journal of Cultural Heritage Management and Sustainable Development, 7(2), 164-178. https://doi.org/10.1108/JCHMSD-06-2016-0036